Secret Son of a Legend: Autobiography

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Raggio then goes on to point out Plato's distinction of creative power ( techne), which is presented as superior to merely natural instincts ( physis). Prometheus Bound, perhaps the most famous treatment of the myth to be found among the Greek tragedies, is traditionally attributed to the 5th-century BC Greek tragedian Aeschylus. [30] At the centre of the drama are the results of Prometheus' theft of fire and his current punishment by Zeus. The playwright's dependence on the Hesiodic source material is clear, though Prometheus Bound also includes a number of changes to the received tradition. [b] It has been suggested by M.L. West that these changes may derive from the now lost epic Titanomachy. [29] Lupe's parents were a werewolf and a human, who like Jez's parents broke one of the Night World's most serious laws by being together. Lupe's human father was killed, while she and her mother were rescued and sheltered by Thierry, which is partly why she has Undying Loyalty to him. Lupe appears pretty comfortable about her 'half-breed' status, openly telling Hannah Snow about it, though she is still grieved by what happened to her father. Prometheus' torment by the eagle and his rescue by Heracles were popular subjects in vase paintings of the 6th to 4th centuries BC. He also sometimes appears in depictions of Athena's birth from Zeus' forehead. There was a relief sculpture of Prometheus with Pandora on the base of Athena's cult statue in the Athenian Parthenon of the 5th century BC. A similar rendering is also found at the great altar of Zeus at Pergamon from the second century BC. Ophelia: Ophelia's daughter with Hamlet, as they were forced to keep their romance (then marriage) a secret because of her common-born status. Sadly, Hamlet never gets to see her.

Prometheus | Description & Myth". Encyclopedia Britannica. Archived from the original on 2020-09-10 . Retrieved 2020-09-08. The Titanomachy is a lost epic of the cosmological struggle between the Greek gods and their parents, the Titans, and is a probable source of the Prometheus myth. [26] along with the works of Hesiod. Its reputed author was anciently supposed to have lived in the 8th century BC, but M.L. West has argued that it can't be earlier than the late 7th century BC. [27] Presumably included in the Titanomachy is the story of Prometheus, himself a Titan, who managed to avoid being in the direct confrontational cosmic battle between Zeus and the other Olympians against Cronus and the other Titans [28] (although there is no direct evidence of Prometheus' inclusion in the epic). [20] M.L. West notes that surviving references suggest that there may have been significant differences between the Titanomachy epic and the account of events in Hesiod; and that the Titanomachy may be the source of later variants of the Prometheus myth not found in Hesiod, notably the non-Hesiodic material found in the Prometheus Bound of Aeschylus. [29] Athenian tradition [ edit ] There are many, and often contradictory, legends about the most ancient King Midas. In one, Midas was king of Pessinus, a city of Phrygia, who as a child was adopted by King Gordias and Cybele, the goddess whose consort he was, and who (by some accounts) was the goddess-mother of Midas himself. [4] Some accounts place the youth of Midas in Macedonian Bermion (see Bryges). [5] In Thracian Mygdonia, [6] Herodotus referred to a wild rose garden at the foot of Mount Bermion as "the garden of Midas son of Gordias, where roses grow of themselves, each bearing sixty blossoms and of surpassing fragrance". [7] Herodotus says elsewhere that Phrygians lived in ancient Europe, where they were known as Bryges, [8] and the existence of the garden implies that Herodotus believed that Midas lived prior to a Phrygian migration to Anatolia. He met up with original band member Bob Brunning, who died in 2011, to discuss his dad. And he wrote to the star’s solicitors, and messaged family members on Facebook.Soulcalibur V introduces Xiba, a Suspiciously Similar Substitute for one of the protagonists of the previous games, Kilik. The suspicious similarity is later revealed to be because he's Kilik's son, fathered with his Love Interest from the previous games, Xianghua. The two lovers consummated their love and then Kilik disappeared, never knowing he'd fathered a son. When Xianghua went home, she was at first rejected by her family for giving birth to some unknown person's bastard son, but she and her betrothed husband made special arrangements to see that Xiba was protected and that Xianghua could visit him every once in a while.

Athens was the exception, here Prometheus was worshipped alongside Athena and Hephaestus. [46] The altar of Prometheus in the grove of the Academy was the point of origin for several significant processions and other events regularly observed on the Athenian calendar. For the Panathenaic festival, arguably the most important civic festival at Athens, a torch race began at the altar, which was located outside the sacred boundary of the city, and passed through the Kerameikos, the district inhabited by potters and other artisans who regarded Prometheus and Hephaestus as patrons. [47] The race then travelled to the heart of the city, where it kindled the sacrificial fire on the altar of Athena on the Acropolis to conclude the festival. [48] These footraces took the form of relays in which teams of runners passed off a flaming torch. According to Pausanias (2nd century AD), the torch relay, called lampadedromia or lampadephoria, was first instituted at Athens in honour of Prometheus. [49] There have been many proposals for the origin of the Masonic Hiram Abiff story, which are dismissed by most Masonic scholars. However, the leading theory supported by many scholars of historical Freemasonry is advanced in the recent work of Bro. Christopher Powell. In 2021, he published a paper in QCCC that the Reverend Dr. John Theophilus Desaguliers is the likely author of the Hiram Abiff story in the early 1720s and introduced it into the 3rd degree. In his research, Bro. Powell notes how Desaguliers also introduced the "lost word" aspect of the Royal Arch degree which he likely read in a book he owned titled "The Temple of Solomon, portrayed by Scripture-light." If the word was to be found, it would need to be first lost, hence the Hiram Abiff story. According to Powell, Desaguliers as a Frenchman living in England, would have known the Chanson de Geste legend (explored below), and used it as a base for the legend of Hiram Abiff. However instead of being used as a ritual since the 12th century, Powell argues that Desaguliers used this existing myth to create a central story for the newly created 3rd degree, for which there is no evidence whatsoever before 1720. Midas ( / ˈ m aɪ d ə s/; Greek: Μίδας) was the name of a king in Phrygia with whom several myths became associated, as well as two later members of the Phrygian royal house. Harold Bloom, in his research guide for Aeschylus, has summarised some of the critical attention that has been applied to Aeschylus concerning his general philosophical import in Athens. [33] As Bloom states, "Much critical attention has been paid to the question of theodicy in Aeschylus. For generations, scholars warred incessantly over 'the justice of Zeus,' unintentionally blurring it with a monotheism imported from Judeo-Christian thought. The playwright undoubtedly had religious concerns; for instance, Jacqueline de Romilly [34] suggests that his treatment of time flows directly out of his belief in divine justice. But it would be an error to think of Aeschylus as sermonising. His Zeus does not arrive at decisions which he then enacts in the mortal world; rather, human events are themselves an enactment of divine will." [35] Jason Reza Jorjani, a philosopher who has also labelled his movement "Prometheism", which is something different from the geopolical concept mentioned above.One Piece: In the past, Princess Scarlet faked her death so that she could be with her lover, Kyros, who's a former criminal and thus won't have the public hounding them; together, they conceived a child, Rebecca, whom the two (especially Kyros) really dote on. Played with in that, in the end, it's revealed that people in her kingdom knew all along that the two are together and they're mostly okay with them (and Rebecca). For Plato, only the virtues of "reverence and justice can provide for the maintenance of a civilised society – and these virtues are the highest gift finally bestowed on men in equal measure." [40] The ancients by way of Plato believed that the name Prometheus derived from the Greek prefix pro- (before) + manthano (intelligence) and the agent suffix - eus, thus meaning "Forethinker". Struggling Janina then signed parental control of her son to her mother Maureen Firlej who became Liam’s legal guardian. Green rarely tried to see his son. In The Legend of Zelda, Link is Zelda's older half-brother from a romance the previous Queen Zelda had prior to being married. He's half-elf, which only adds to the "forbidden" aspect as elves are looked down upon by humans. Queen Zelda sent Link away for fear that her husband would kill him. Link grew up thinking he was a common orphan boy. Hesiod revisits the story of Prometheus and the theft of fire in Works and Days ( 42–105). In it the poet expands upon Zeus's reaction to Prometheus' deception. Not only does Zeus withhold fire from humanity, but "the means of life" as well ( 42). Had Prometheus not provoked Zeus's wrath, "you would easily do work enough in a day to supply you for a full year even without working; soon would you put away your rudder over the smoke, and the fields worked by ox and sturdy mule would run to waste" ( 44–47).

In Georgian mythology, Amirani is a cultural hero who challenged the chief god and, like Prometheus, was chained on the Caucasian mountains where birds would eat his organs. This aspect of the myth had a significant influence on the Greek imagination. It is recognisable from a Greek gem roughly dated to the time of the Hesiod poems, which show Prometheus with hands bound behind his body and crouching before a bird with long wings. [72] This same image would also be used later in the Rome of the Augustan age as documented by Furtwangler. [73] It was almost psychologically abusive to me as I used to hear him everywhere. Every time I’d hear a song it would bring up bad memories. In his book titled Prometheus: Archetypal Image of Human Existence, C. Kerényi states the key contrast between Goethe's version of Prometheus with the ancient Greek version. [83] As Kerényi states, "Goethe's Prometheus had Zeus for father and a goddess for mother. With this change from the traditional lineage the poet distinguished his hero from the race of the Titans." For Goethe, the metaphorical comparison of Prometheus to the image of the Son from the New Testament narratives was of central importance, with the figure of Zeus in Goethe's reading being metaphorically matched directly to the image of the Father from the New Testament narratives. Sacred Texts Flavius Josephus, Antiquities of the Jews, Book VIII (in this version chapter 3 para 4 contains v76) retrieved 20 September 2012

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According to authors Robert Lomas and Christopher Knight, the prototype for Hiram Abiff was the Egyptian king Seqenenre Tao II, who (they claim) died in an almost identical manner. [16] This idea is dismissed by most Masonic scholars. The imagery of Prometheus and the creation of man used for the purposes of the representation of the creation of Adam in biblical symbolism is also a recurrent theme in the artistic expression of late Roman antiquity. Of the relatively rare expressions found of the creation of Adam in those centuries of late Roman antiquity, one can single out the so-called "Dogma sarcophagus" of the Lateran Museum where three figures (commonly taken to represent the theological trinity) are seen in making a benediction to the new man. Another example is found where the prototype of Prometheus is also recognisable in the early Christian era of late Roman antiquity. This can be found upon a sarcophagus of the Church at Mas d'Aire [70] as well, and in an even more direct comparison to what Raggio refers to as "a coarsely carved relief from Campli ( Teramo) [71] (where) the Lord sits on a throne and models the body of Adam, exactly like Prometheus." Still another such similarity is found in the example found on a Hellenistic relief presently in the Louvre in which the Lord gives life to Eve through the imposition of his two fingers on her eyes recalling the same gesture found in earlier representations of Prometheus. [68] By the Classical period, the races were run by ephebes also in honour of Hephaestus and Athena. [50] Prometheus' association with fire is the key to his religious significance [44] and to the alignment with Athena and Hephaestus that was specific to Athens and its "unique degree of cultic emphasis" on honouring technology. [51] The festival of Prometheus was the Prometheia (τὰ Προμήθεια). The wreaths worn symbolised the chains of Prometheus. [52] There is a pattern of resemblances between Hephaestus and Prometheus. Although the classical tradition is that Hephaestus split Zeus's head to allow Athena's birth, that story has also been told of Prometheus. A variant tradition makes Prometheus the son of Hera like Hephaestus. [53] According to that version, the Giant Eurymedon raped Hera when she was young, and she had Prometheus. After Zeus married Hera, he threw Eurymedon into Tartarus and punished Prometheus in Caucasus, using the theft of fire as an excuse. [54] [55] Ancient artists depict Prometheus wearing the pointed cap of an artist or artisan, like Hephaestus, and also the crafty hero Odysseus. The artisan's cap was also depicted as worn by the Cabeiri, [56] supernatural craftsmen associated with a mystery cult known in Athens in classical times, and who were associated with both Hephaestus and Prometheus. Kerényi suggests that Hephaestus may in fact be the "successor" of Prometheus, despite Hephaestus being himself of archaic origin. [57] Rudolf Wagner-Régeny composed the Prometheus (opera) in 1959. Another work inspired by the myth, Prometeo (Prometheus), was composed by Luigi Nono between 1981 and 1984 and can be considered a sequence of nine cantatas. The libretto in Italian was written by Massimo Cacciari, and selects from texts by such varied authors as Aeschylus, Walter Benjamin and Rainer Maria Rilke and presents the different versions of the myth of Prometheus without telling any version literally. In his dialogue titled Protagoras, Plato contrasts Prometheus with his dull-witted brother Epimetheus, "Afterthinker". [41] [42] In Plato's dialogue Protagoras, Protagoras asserts that the gods created humans and all the other animals, but it was left to Prometheus and his brother Epimetheus to give defining attributes to each. As no physical traits were left when the pair came to humans, Prometheus decided to give them fire and other civilising arts. [43] Athenian religious dedication and observance [ edit ]

She told me she wanted him to pay child maintenance. She’d say ‘why don’t you look after your son?’, and he’d say ‘you can’t prove it.’ According to the fourth, everyone grew weary of the meaningless affair. The gods grew weary, the eagles grew weary, the wound closed wearily. The whispering sound of reeds is an ancient literary trope: the Sumerian Instructions of Shuruppak (3rd millennium BCE) warn "The reed-beds are ..., they can hide (?) slander". ( Instructions of Shuruppak, lines 92–93). Greenberg, Mike; PhD (2020-05-04). "Prometheus: The Complete Guide to the Greek Titan (2021)". Archived from the original on 2021-05-11 . Retrieved 2021-05-11. It remains a continuing debate among scholars of comparative religion and the literary reception [76] of mythological and religious subject matter as to whether the typology of suffering and torment represented in the Prometheus myth finds its more representative comparisons with the narratives of the Hebrew scriptures or with the New Testament narratives. In the Book of Job, significant comparisons can be drawn between the sustained suffering of Job in comparison to that of eternal suffering and torment represented in the Prometheus myth. With Job, the suffering is at the acquiescence of heaven and at the will of the demonic, while in Prometheus the suffering is directly linked to Zeus as the ruler of Olympus. The comparison of the suffering of Jesus after his sentencing in Jerusalem is limited to the three days, from Thursday to Saturday, and leading to the culminating narratives corresponding to Easter Sunday. The symbolic import for comparative religion would maintain that suffering related to justified conduct is redeemed in both the Hebrew scriptures and the New Testament narratives, while in Prometheus there remains the image of a non-forgiving deity, Zeus, who nonetheless requires reverence. [74]The first recorded account of the Prometheus myth appeared in the late 8th-century BC Greek epic poet Hesiod's Theogony ( 507–616). In that account, Prometheus was a son of the Titan Iapetus by Clymene or Asia, one of the Oceanids. He was brother to Menoetius, Atlas, and Epimetheus. Hesiod, in Theogony, introduces Prometheus as a lowly challenger to Zeus's omniscience and omnipotence. PROMETHEUS - Greek Titan God of Forethought, Creator of Mankind". www.theoi.com . Retrieved 2022-04-04.