Universal Car Amplifier Bass Knob Control Via RCA RCA Audio Interconnect LC-1

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but i think for now if i tune it by ear and get it to where it seems like its not going any louder and set it would that be fine? If he sets the gain on his amp to the point of maximum yeild before no clipping then he should leave it that way, NOTHING he does to the amp will make it any louder and still allow it to operate safely. if the gain at the amp is set for a safe unclipped level then there is nothing wrong with using the remote gain as a volume control.

Bassface midrange speakers are designed to give the enthusiast builder pounding performance and musicality whilst not costing the earth which is an important factor when building systems that utilise many drivers.

A better alternative is a shelf filter that expands high enough to affect both, but "loudness" can work fine for low volume listening. should i upgrade my charging system , do the big three, hook up a cap(have one thats a 4 farad, too much maybe? But if you did it that way then you'd be getting into clipping assuming you had properly set your gain to the proper level to begin with. This feature is especially useful for on-the-fly adjustments, allowing you to fine-tune the bass response based on the type of music or your listening preferences without accessing the amplifier's settings directly.

This keeps you (or someone else) from getting a little too happy with the knob and driving your amplifier beyond the point set on the amp. I used mine quite often in my ram build but that was a necessity due to the retention of the factory head unit and the lack of practicality of controlling bass via the ms8. In most cases, the EBC will not increase the internal gain setting thus protecting your system from square waves and distortion. The other style is the one that plugs in directly to the amp, usually with a phone cord/internet cord style connection.Not for for everyone but I do occasionally enjoy going a bit bass-heavy with a simple no-eyes-required tweak of the analog knob (when the mood and track* strike my fancy, admitting that's not 'true' to the recording).