MOOER Trelicopter, tremolo pedal

Product Information

The plate reverb setting wasn’t quite as impressive, but it outperforms the vast majority of standalone reverb pedals nonetheless. These qualities make the Flint akin to having a tremolo and reverb unit from an old Fender Princeton tube amp on your pedalboard, and that is no exaggeration! The alternative method of producing tremolo using an effects pedal, or in the traditional way of using the built-in unit on an amplifier, is with VST plugins. This digital software has grown dramatically in popularity in recent years because they require no external hardware and can be applied to a recording retrospectively. Also equipped on this pedal is a depth control, located underneath the speed dial. This is used to adjust the intensity of the effect. You can also increase the depth of the effect, resulting in a more pronounced and powerful tremolo. On the other hand, decreasing this will create more subtle and understated sounds. Additionally, the MTR1 Tremolo features a true bypass design, ensuring that your tone remains pure and unadulterated when the pedal is disengaged, making it a reliable and versatile tool for any guitarist. Specifications Rather than increasing and decreasing the volume of a signal like a tremolo does, vibrato causes a slight increase and decrease to the pitch. This difference is very significant. The two pedals work in the same way but are applied to different aspects of the signal.

I don’t think that it is any secret that the Mooer pedals are, for the most part, clones of other popular and/or discontinued pedals. Like I’ve mentioned, Mooer has since begun making their own original pedals. But it was these mini clone pedals that have made Mooer so well known. And, giving them the platform to eventually start creating and producing their own pedals. But, if you’d like confirmation that these are definitely clone pedals, we don’t have to look too far to actually recognize which pedals these are clones of. let’s look at two giveaway factors right off the bat: True bypass switching completes the pedal, protecting your signal integrity. Also, the pedal is constructed from high-quality zinc alloy, a material known for its durability and longevity. It is powered by 9v DC or a 9-volt battery. If you’re wondering if the Mooer Blade distortion is really a clone of the massive EHX Metal Muff. you can be at ease knowing that it is indeed a clone of this very pedal. In my opinion, it is nothing short of genius how Mooer managed to turn such a large pedal into such a mini clone. There does, however, seem to be a fair bit of debate surrounding the fact that the Mooer Blade could be a Boss Metal Zone. The consensus does seem to lean more towards the Mooer Blade being an Electro-Harmonix clone. For the sake of this list, and due to the fact that my knowledge and experience of metal pedals are limited. I’m going to compare the Mooer Blade and the EH Metal Muff.This modification is said to enhance the tonal capabilities of the Boss BD-2. Which is something I would have to agree with. Something definitely worth mentioning is that the Blues Mood also sounds great when used on the bass guitar. There’s a video down below which is a Mooer Blues Mood review. It also compares it o the Boss BD-2. But unfortunately, the BD-2 in the video does not have the Keeley mod. When effects pedals were first made widely available in the 1960s, their primitive inner circuitry caused noise issues that guitarists had to put up with. As music technology advanced in the coming years, some innovations were made which minimized this problem. All of the aforementioned modes are offered in lush stereo surround, bringing analog quality into a digital format. After playing around with the features for further tone adjustment, I discovered you can connect the Vertigo to the free Neuro Editor app on your mobile device or computer, and instantly access a range of presets, EQ units, and tap tempo. Combined with the Speed, Depth, and Level controls that are physically built into the pedal, I can safely say that you have all of the tools for creating the perfect tremolo effect at your disposal. Explaining this 3-way toggle switch, and this auto-wah pedal, in general, is very tough. Describing an auto-wah is immensely difficult to put into words. However, the video below should give you more than a sufficient look at this pedal as well as the tones you can achieve from it. Mooer Funky Monkey For Bass?

The blue comp is a more complex pedal than the yellow one. The blue comp has an extra two-way toggle switch which allows for more tweaking of your sound. I talk about what the toggle does above. The Yellow one, on the other hand, is a simple three-knob comp pedal and in my opinion, delivers one of the best sounds from any cheap comp pedal I’ve ever tried. If you’re not sure which one is for you, my advice would be to go for the yellow comp. Right off the bat, I noticed that this product is built similarly to a wah pedal. After digging a little deeper I was intrigued to discover that this unique offering provides you with complete control over five separate waveforms. One feature I found to be useful was the sweepable foot control, which means that you can adjust every aspect of the pedal without halting your guitar playing. My Review: I love the aesthetics of Walrus Audio’s pedals. Each offering has a unique design that draws you to the pedal. However, these pedals are not just pretty to look at, they are sonically beautiful as well. There are several standout qualities that make the Strymon Flint one of the best tremolo pedals out there. Firstly, the tremolo tone sounds incredibly amp-like, and not artificial in any way, shape or form. Then there’s the impeccable spring reverb, which is labeled under the “60s” setting. This stood out to me as one of the best spring reverb effects I’ve encountered in a long time.In this Mooer range of mini clone pedals, there are two Fuzz pedals. This Blue Faze is a clone of the classic Arbiter Silicon Fuzz Face (Now made by Dunlop). Not to be confused with the other Fuzz pedal on this clone list, the Grey Fuzz. The Blue Faze is based on the Silicon Fuzz Face and makes use of the BC108C silicon transistor. Which, is the vintage type of transistor that would have been found in the original Fuzz Face pedals. When it comes to fuzz and distortion in general, this silicon fuzz face was one of the first to ever be created. This silicon fuzz face is what basically started the guitar pedal, as the stompboxes we know them today. I got this and immediately put it on my board. It is a fantastic tremolo. It is inexpensive but don't let that fool you it is a tone machine. Tone is smooth and rich. There isn't much if any apparent volume loss which is very nice. With only three controls it's very easy to get the tremolo effect you want. Depth and rate do exactly what you would expect and the Bias knob changes the wave shape. Mooer Audio have made sure the blues sound has been covered by adding yet another blues-style overdrive pedal to their range of clones. This time, Mooer have the Blues Mood pedal, which is a clone of the famous and extremely popular, Boss Blues Drive BD-2. However, Mooer didn’t just stop there. No, in fact, they went a step further and cloned the Boss Blues Driver with the legendary Keeley Fat mod.

The majority of guitar players and gearheads out there are under the impression that the Mooer blue comp is a clone of the Boss CS-2. If I’m honest, it was only until I did some investigating that I discovered this is in fact incorrect. The Mooer Blue comp is actually a clone of the often forgotten about, very rare, and old Boss CS-1 compressor. There are a few characteristics and features of the Mooer Blue compressor that give away the fact that its a CS- clone. Housed in a die-cast chassis with a vintage finish, my first impression of the BT-1 was that it looks like it was made many decades ago. In terms of the sounds it produces, I found that they range from slight wobbling tremolo that adds depth to your guitar’s clean tone, or on the other end of the spectrum, chaotic, rhythmic fluctuation. Having these two extremes in your arsenal means that you’re not limited to one style. JOYO ensures that all of their affordable pedals are fitted with true bypass circuitry. This ensures that even if the pedal is not in use, your clean tone remains strong and consistent. It is housed in a sturdy aluminum chassis with a stoving varnish finish. Likewise, combining tremolo with reverb or delay can also produce interesting results. Things can get a little messy if the decay of the reverb or delay is set to a high level, but when used subtly, they are both very compatible with tremolo.

Rating

Rotary simulator pedals essentially combine tremolo and vibrato. They increase and decrease both the volume and pitch, creating a strange-sounding, unique tone. Many guitars produce vibrato naturally, such as the Fender Stratocaster, which is fitted with a device known as a “trem arm”.

The Old Blood Noise Endeavors Whitecap is two tremolos at the same time, but not in the way that harmonic tremolo is. Its two sides are asynchronous, meaning their rate knobs don’t care at all what the other is doing. With some effects pedals, there are specific positions that are agreed to be most efficient. After the tuner pedal, it is common to start the chain with dynamic-based pedals, like compressors, EQ, limiters, and volume pedals. These pedals need to interact with the signal when it is at its cleanest, to work most effectively. At close inspection, it is easy to see that they Mooer Funky Monkey is laid out pretty different from that of the AW-2. However, this is certainly to be expected considering the small size of the Mooer. That being said, let’s look at how the Boss AW-2 is laid out and then note the differences son the Funky Monkey. My Review: Over the years I’ve become very familiar with Boss stompboxes, and one thing I’ve learned about them, is that they are amongst the most durable effects pedals to ever exist. Designed to last, and built like a tank, these pedals won’t cave under the pressure of constant usage and relentless touring. A similar instance occurred with the Bass eq above whereby it has been claimed to be a clone of another EQ pedal which it clearly isn’t. However, let me outline the major differences between the Mooer Graphic G and the Maxon GE-60.

Due to tremolo pedals’ effect on the volume of the entire signal, it’s best to place them as close to the end as possible. This means that the shift in volume won’t affect the performance of the majority of other pedals on the board. As previously stated, this advice is merely conventional guidelines, and sometimes, going against the grain produces the most interesting tones. The world’s greatest electric guitar player, Jimi Hendrix used a silicon Fuzz Face. And, if achieving a similar tone to Jimi is what you’re after, I suggest starting with one of these. Now, the Silicon Fuzz face is still available on the market today. Despite having gone through different companies, Dunlop now makes these in pretty much the same fashion as the old ones. They can, however, become quite costly. But, the Mooer Blue Faze is a particularly good clone for a budget pedal.